The University of Hull has been partnering with CoSector to develop and implement a digital preservation infrastructure for the management of a digital archive for the UK City of Culture 2017. The infrastructure is based on a combination of systems that do they do best, with Hyrax and Archivematica central to the overall workflow. Following development in 2019, this talk provides an update on implementation of the infrastructure and reports on the lessons learned from turning an idea into practical reality. The video recording of this segment is available at the 'Related URL' below.
Keyword:
Screencast, Virtual Connect 2020, Samvera, Digital Collections, Workflow, Archives, Hyrax, and Preservation
Subject:
Samvera Community
Creator:
Awre, Christopher L, McNicholl, Rory, and Giles, Laura
Contributor:
University of Hull and CoSector, University of London
over 150,000 items in total. The University of Hull is contributing to the long-term legacy of the year through the development of a digital archive to capture, record and make available the material generated. This has been undertaken through the combination of a repository, using Samvera’s Hyrax, with related tools, A presentation at the Open Repositories 2019 conference in Hamburg, Germany, described thus, Hull in the UK was awarded the title of UK City of Culture for 2017. Over 2,800 events, attracting a total of 5.3 million people, took place over the course the year, a vast cultural undertaking. This cultural celebration generated many digital, and physical, artefacts, from the business documents of the organising company through to models of works by artists and data from evaluation of the impact of the year, and Archivematica for preservation processing, Box as an interim store, CALM for archives cataloguing, and Blacklight for presentation and discovery – each doing what they do best and being combined to best overall effect. This presentation will describe the work to create this infrastructure in partnership with a repository vendor, CoSector, and consider the ways in which the architecture, now completed, can be applied to other use cases, both archival and repository-related, beyond the specific one for which it was built.
Keyword:
Hyrax, Workflow, Preservation, Archives, Samvera, and Open Repositories 2019
Subject:
Samvera Community
Creator:
Wilson, Simon, Awre, Christopher L, Allinson, Julie, Ranganathan, Anusha, Taylor, Stephanie, and Giles, Laura
Contributor:
CoSector, University of London, University of Hull, and Cottage Labs
A presentation given at Samvera Connect 2018 described thus and A project description of adding our first A/V materials to Princeton's repository management software, Figgy. I'll briefly describe the project history, the collections in question, and project management strategies. Will demo the resulting ingest workflow. A video recording of this session is available at the 'Related URL' below.
Keyword:
Preservation, Archives, Connect 2018, and Samvera
Subject:
Samvera Community
Creator:
Headley, Anna
Contributor:
University of Utah and Princeton University Library
00., The Politics of Memory in a St. Louis Town House (University of Massachusetts Press, 2019), but also recent political events in St. Louis, probing the deeper motives and implications of heritage preservation. The 'related URL' shown is a video recording of the conference's morning proceedings. The keynote address starts at time index 25, A presentation at Samvera Connect 2019 described thus, and Historian Pierre Nora has argued that we are living in an archival age––one in which we seek nothing less than “complete conservation of the present” and “total preservation of the past.” The advent of digital media has aided this project, but also exposed its futility, and in turn compounded our archival obsession, which Nora reminds us is rooted in anxiety about the meaning of the present, a sense of alienation from our collective past, and broader fears of cultural––or human––annihilation. In “Sites of Memory, Acts of Erasure,” Heidi Aronson Kolk will explore the unusual potency of the well-preserved material archive, while challenging us to consider its dark twin––the site of erasure, forgetting and annihilation. Her presentation will engage subjects introduced in her book, Taking Possession